And there are cracks even in that armor, so to speak. But even that doesn’t really work all the time. I mean, they tried to reduce it to a science, which is why you get 50 movies of one type.
As Gray points out, the audience is “fickle.” I am curious why Gray depicted the events making his situation look worse than they actually were.īut, first, after his marketing phone call, Gray tries to figure out where movies are even going right now and if there’s even a future for movies like his in theaters. In the end, both Paul and James got off because their dad, “knew a guy,” and their friend had to face the consequences.
In real life, James and his friend were caught shoplifting a $50 Star Trek item at Bloomingdale’s. Young Paul and his friend Johnny, who is Black, are caught trying to steal a school computer. Speaking of that, there is a scene in Armageddon Time that is interesting in how he changed it, dramatically. James Gray is one of the more outwardly thoughtful filmmakers you can meet in person and let’s hope he’s found what he came looking for. Gray’s Armageddon Time will be compared to Sam Mendes’s Empire of Light and Steven Spielberg’s The Fablemans – three movies made by noted filmmakers about their childhoods though, having seen all three, none of these movies are even remotely alike – and it seems Gray’s motivation was how difficult his last two movies were to make ( Ad Astra was taken away from him The Lost City of Z‘s jungle location was physically punishing) and he wanted to make something that reconnected him with why he wanted to make movies in the first place.
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Gray seems to concede to whatever the marketing team is telling him, finally looking at me and saying, “Well, once you finish the movie, I guess it’s out of my hands.” Though, to take Gray’s side, to make a movie this personal, I do understand why he’d want it framed exactly the way he wants it. It’s certainly not a feelgood movie – the situations are presented too realistically, and as we all know, real life is messy – but there are many moments of true optimism, which usually comes when Anthony Hopkins, as young Paul’s grandfather, is on screen.
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A poignant reflection of Gray’s own youth (Banks Repeta plays Paul Graff) – which includes his relationship with his parents (played by Anne Hathaway and Jeremy Strong), his early education at a Trump family-run private school, and his friendship with a Black classmate (Jaylin Webb) – admittedly, I could see some differing opinions on how to market a movie this nuanced and earnest in today’s movie landscape. When I walked into James Gray’s Upper West Side hotel room, he was on the phone having a debate with the marketing team about his new film, Armageddon Time.
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